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More Fun in Billville

by Noertker's Moxie

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McMuggles 05:20
Belief Jerky 06:25
More Fun 05:14
Banyan Tree 05:43
Flood's Mood 06:21
Bear Den 08:49


Celebrate 20 years of Noertker's Moxie with More Fun, volume two of the new Billville trilogy, a collection of 25 previously unreleased live performances spanning two decades. The compositions contained herein are Noertker's reflections on his travels, his encounters with art, his penchant for poetry, his love of Catalonia, his sense of wonder at words, his fondness for the tritone, his fascination with film. An assortment of his trusted fellow musical travelers help him breathe life into these aural reflections.
In 2001, Bill Noertker formed Noertker’s Moxie as a vehicle for his thematic compositions. Since then he has composed over 150 pieces of music and has released sixteen CDs on the Edgetone Records label, including the soundtrack for Curious Worlds: the Art and Imagination of David Beck and the extended suites Sketches of Catalonia; The Blue Rider; The Druidh; and Tricycle.


released October 26, 2021

tenor sax
Annelise Zamula (3, 5)
Mas Koga (2)
Joshua Marshall (6)

alto sax
Annelise Zamula (1, 2, 8)
Beth Schenck (7)

Annelise Zamula (4, 6, 7)
Amber Lamprecht (4)
John Vaughn (4)

Hugh Schick (5)

Eli Wallace (1)
Brett Carson (3, 8)

Jason Levis (1, 2, 3, 5, 7, 8)
Dax Compise (4)
Daniel Pearce (6)

contrabass, composition
Bill Noertker (all)

All tracks recorded live to 2-track
by Karen Stackpole (1–5, 7)
and Michael Zelner (6, 8)

Mastered by Myles Boisen
at The Headless Buddha Mastering Lab on 17 & 21 June 2021

Graphic design by Gert Rude Music
Cover art by Jekyll
Produced by Bill Noertker
Executive producer – Rent Romus

In loving memory of Carolyn Torrente

All music composed and arranged by Bill Noertker


all rights reserved



Edgetone Records San Francisco, California

Edgetone Records is place for new music crossing the genre boundaries. Founded by musician/producer, Rent Romus, the label took shape in 1991. After being on a long hiatus Rent re-opened Edgetone in January 2000 and expanded it to support D.I.Y. (do it yourself) artists looking for a ground base and community label identity. ... more

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