Trio​/​Chinese Jesus

by Say Bok Gwai

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about

Trio/Chinese Jesus is the latest double EP from Canto-Core punk duo Say Bok Gwai.
TRIO picks up where CHINK IN THE ARMOR, Say Bok Gwai’s second release, left off. Featuring 16 short, quirky and fast songs about Chinese and American culture, society, politics, history and identity. Say Bok Gwai reinvents musical genres from punk to metal to hardcore. In reaction to requests by fans, this recording has the inclusion of bass guitar which has not been in any previous recordings.

Chinese Jesus reveals four very different and unique compositions for Say Bok Gwai. This EP expands the band’s music by having the duo move into areas of Jazz, Progressive, Satanic and Stoner Metal. Although SBG has always touched upon these genres, Chinese Jesus dives deeper by adding new instrumentation and overdubs to expand the dynamic of the duo.

credits

released June 13, 2017

Trio--
Say Bok Gwai:
Alex Yeung- guitar, vocals, alto saxophone, and keyboards
Andre Custodio- drums, back-up vocals

Guest Musicians:
Josh Martin- bass on tracks 01-17
Craigums- vocals on Lazier.
Lizz Ortega De Marín- vocals on Ojos and Once Upon A Time in Chinatown


Production:
Trio was recorded, mixed and mastered at House of Faith, Oakland by Bart Thurber.
Bass overdubs recorded by Josh Martin
Vocal overdubs recorded at Dutch Over Studios, Oakland by Craig Billmeier
Guitar, vocal, alto saxophone, and keyboard overdubs recorded at Monkey King Studios by Alex Yeung.

Artwork and layout by Alex Yeung.


Chinese Jesus ---
Say Bok Gwai:
Alex Yeung- guitar, vocals, alto saxophone, and keyboards
Andre Custodio- drums, back-up vocals

Production:
Chinese Jesus was recorded, mixed and mastered at House of Faith, Oakland by Bart Thurber.
Vocal overdubs recorded at Dutch Over Studios, Oakland by Craig Billmeier
Guitar, vocal, alto saxophone, and keyboard overdubs recorded at Monkey King Studios by Alex Yeung.

Artwork and layout by Alex Yeung.

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Edgetone Records San Francisco, California

Edgetone Records was founded by musician/producer, Rent Romus. The label took shape in 1991 to support his group’s original jazz recordings. After being on a long hiatus Rent re-opened Edgetone in January 2000 and expanded it to support new music crossing the genre boundaries specifically for D.I.Y. (do it yourself) artists looking for a ground base and community label identity. ... more

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