The Foolkiller, by Tri-Cornered Tent Show

The Foolkiller

by Tri-Cornered Tent Show

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1.	Prophecy In Subterfuge 04:59	buy track
2.	After the War 02:13	buy track
3.	Demon down twisted 03:31	buy track
4.	Who Killed Desiree 04:49	buy track
5.	The Betrayal Of Desiree 04:02	buy track
6.	Plucking The Eye Of The Misbegotten 02:16	buy track
7.	Dark Heritage Heart Of Midnight 07:54	buy track
8.	Her Kiss Before Dying 07:02	buy track
9.	Free Fall Into Fear 04:55	buy track
10.	Fever Dream In The House of Pain 03:01	buy track
11.	Man Made Monster 04:43	buy track
12.	Revenge Rage and Redemption 03:01	buy track
13.	Foolkiller 06:45	buy track

about

Tri-Cornered Tent Show presents The Foolkiller, a post-apocalyptic poetry music, and song portraying rage, revenge, and redemption, transcending the acts of murder madness and mayhem commonly defined as war religion and politics. Sporting an extended ensemble of some of the finest improvisers from the San Francisco Bay Area, The Foolkiller spreads its shadow across a wide array of style and sound creating one of this year’s most innovative operatic improvisational theme pieces. A must have for those who like to collect referential abstract music.

credits

released April 24, 2006

Andre Custodio - spoken word vocals, t-rodimba
Philip Everett - lyrics, drumset, percussion, electric autoharp
Ray Schaeffer - electric basses
Dina Emerson - vocals
Rent Romus - alto, soprano,
c-melody saxaphones, flute, vocals, zitherod, accordian

GUEST ARTISTS
CJ Borosque - noise pedals
Matt Davignon - turntable
Sandor Finta - voice, Jews harp
Lance Grabmiller - laptop/sampling
Ernesto Diaz-Infante - acoustic guitar
Marina Lazarra - backing vocals
Bob Marsh - cello, voice, accordian Jessie Quatro - lead vocals
Alwyn Quebido - electric guitar

license

about

Edgetone Records San Francisco, California

Edgetone Records was founded by musician/producer, Rent Romus. The label took shape in 1991 to support his group’s original jazz recordings. After being on a long hiatus Rent re-opened Edgetone in January 2000 and expanded it to support new music crossing the genre boundaries specifically for D.I.Y. (do it yourself) artists looking for a ground base and community label identity. ... more

edgetonerecords.com

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