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Pantomime in Billville

by Noertker's Moxie

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1.
Red Eleven 07:15
2.
3.
Lotus Eaters 08:19
4.
Pantomime 05:45
5.
6.
L’Escala 05:03
7.
the Eel 05:08
8.

about

Celebrate 20 years of Noertker's Moxie with Pantomime, volume three of the new Billville trilogy, a collection of 25 previously unreleased live performances spanning two decades. The compositions contained herein are Noertker's reflections on his travels, his encounters with art, his penchant for poetry, his love of Catalonia, his sense of wonder at words, his fondness for the tritone, his fascination with film. An assortment of his trusted fellow musical travelers help him breathe life into these aural reflections.
In 2001, Bill Noertker formed Noertker’s Moxie as a vehicle for his thematic compositions. Since then he has composed over 150 pieces of music and has released sixteen CDs on the Edgetone Records label, including the soundtrack for Curious Worlds: the Art and Imagination of David Beck and the extended suites Sketches of Catalonia; The Blue Rider; The Druidh; and Tricycle.

credits

released October 26, 2021

tenor sax
Annelise Zamula (4, 5)
Mas Koga (3)
Joshua Marshall (8)

alto sax
Annelise Zamula (2, 8)
Jim Peterson (3)

flute
Annelise Zamula (1, 6, 7)
Mas Koga (1)

cornet
Theo Padouvas (5)

piano
Brett Carson (2, 4, 7)
Eli Wallace (6)

drums
Jason Levis (1, 2, 3, 5, 6)
Jon Arkin (4, 7)
Dax Compise (8)

contrabass, composition
Bill Noertker (all)

All tracks recorded live to 2-track
by Karen Stackpole (1, 3, 5, 6, 8)
and Michael Zelner (2, 4, 7)

Mastered by Myles Boisen
at The Headless Buddha Mastering Lab on 17 & 21 June 2021

Graphic design by Gert Rude Music
Cover art by Jekyll
Produced by Bill Noertker
Executive producer - Rent Romus

In loving memory of Helen Ione Martin

All music composed and arranged by Bill Noertker

license

all rights reserved

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about

Edgetone Records San Francisco, California

Edgetone Records is place for new music crossing the genre boundaries. Founded by musician/producer, Rent Romus, the label took shape in 1991. After being on a long hiatus Rent re-opened Edgetone in January 2000 and expanded it to support D.I.Y. (do it yourself) artists looking for a ground base and community label identity. ... more

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